Image via NetflixChris is a Senior News Writer for Collider. He can be found in an IMAX screen, with his eyes watering and his ears bleeding for his own pleasure. He joined the news team in 2022 and accidentally fell upwards into a senior position despite his best efforts.
For reasons unknown, he enjoys analyzing box office receipts, giant sharks, and has become known as the go-to man for all things Bosch, Mission: Impossible and Christopher Nolan in Collider's news division. Recently, he found himself yeehawing along to the Dutton saga on the Yellowstone Ranch.
He is proficient in sarcasm, wit, Photoshop and working unfeasibly long hours. Amongst his passions sit the likes of the history of the Walt Disney Company, the construction of theme parks, steam trains and binge-watching Gilmore Girls with a coffee that is just hot enough to scald him.
His obsession with the Apple TV+ series Silo is the subject of mockery within the Senior News channel, where his feelings about Taylor Sheridan's work are enough to make his fellow writers roll their eyes.
If you were planning to binge the political thriller House of Cards on Netflix’s ad-supported tier in the U.S., you might be out of luck — at least for now. As of January 2026, Netflix’s low-cost advertising plan still blocks 145 titles, accounting for roughly 1.85% of its total 7,834-title library, due to ongoing licensing restrictions. Even powerhouse projects like House of Cards are affected by this limitation, meaning some subscribers won’t be able to stream Kevin Spacey’s most controversial series without upgrading.
House of Cards helped define Netflix’s original programming ambitions, launching all episodes at once and proving that subscription streaming could rival premium cable with its plotting, character depth, and ruthless lead. So the fact that it's not actually available to new subscribers on the basic tier is shocking — Netflix's trademark "tudum" noise was born in House of Cards, for goodness' sake.
Is 'House of Cards' Worth Watching?
House of Cards marked a major turning point for Netflix, proving it could deliver prestige television on par with — and sometimes sharper than — HBO. The series was praised for its meticulous plotting, confident pacing, and willingness to center on entirely unlikable characters, led by Kevin Spacey’s chilling, fourth-wall-breaking Frank Underwood. Beau Willimon’s adaptation was seen as especially effective in making the audience complicit in Frank’s corruption, using his direct addresses as both a narrative hook and a moral trap.
While the show occasionally veered into camp and sometimes made its political opponents seem unrealistically foolish, those flaws were considered minor compared to its strengths. Anchored by Spacey’s career-defining performance, strong supporting turns, and David Fincher’s mood-setting direction, House of Cards was described as addictive, nasty, and deeply compelling — the kind of series perfectly suited to being devoured all at once. Collider's review of Season 1 added:
"Ultimately, these are minor bumps in the road on a show that can drop your jaw when it chooses to unleash the full force of Frank's power. Releasing all 13 episodes is perfectly fitting for a show like House of Cards. A week-by-week release would let us acclimate, and give us time to tease out the characters' next moves. The show gets us addicted in the first two episodes, and then we're trapped along for the ride. We're up until 3:00am because we need to know what happens next. House of Cards makes us invested in its characters, right down to their rotten, cynical cores."
House of Cards is streaming now on Netflix.
Release Date 2013 - 2018-00-00
Network Netflix
Showrunner Beau Willimon
Directors Beau Willimon
Writers Beau Willimon
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Michel Gill
Claire Underwood
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English (US) ·