Katie Yu / ©The CW Network / courtesy Everett CollectionPublished 20 minutes ago
Amanda M. Castro is a Network TV writer at Collider and a journalist based in New York. Born and raised in Puerto Rico, Amanda is a bilingual Latina who graduated from the University of New Haven with a degree in Communication, Film, and Media Studies. She covers the world of network television, focusing on sharp, thoughtful analysis of the shows and characters that keep audiences tuning in week after week. At Collider, Amanda dives into the evolving landscape of network TV — from long-running procedural favorites to ambitious new dramas — exploring why these stories matter and how they connect with viewers on a cultural level.
For a series that wrapped up in 2023, for a network that’s largely moved away from superhero shows, it’s astounding to think that The Flash is managing to pull so much weight. More than 198 million hours have been watched between July and December, which just goes to show how fans can't get enough of Barry Allen (Grant Gustin). In fact, people can’t stop coming back to him.
That number isn’t about curiosity or completion. It’s about comfort, familiarity, and a superhero series that, at its best, understood exactly what it was supposed to be — even when it occasionally lost the plot along the way.
'The Flash' Was a Lighter Superhero Show That Hit at the Right Time
When The Flash premiered on The CW in 2014, superhero television was still figuring itself out. Many shows were chasing the gritty prestige vibe, borrowing heavily from Christopher Nolan’s Batman films. The Flash zigged instead. It was bright, fast, and it wasn’t embarrassed to be a comic-book show.
Gustin’s Barry Allen was a crime scene investigator who got struck by lightning, woke up with super-speed, and immediately leaned into the weirdness of it. He cracked jokes, geeked out over science, ran first, and worried later. That tone — upbeat without being weightless — made the show instantly approachable, especially for viewers who didn’t want homework-level lore.
The emotional hook was very important: Barry has powers due to the trauma of the death of his mother, the false imprisonment of his father, and the need to prove to everyone that he wasn't crazy for believing that something impossible happened the night of his mother's murder. Gustin portrayed Barry as sincere and vulnerable, so that, through all the episodes with time travel, alternate Earths, and talking gorillas, the show remained somewhat connected to its emotional core.
Why the Early Seasons of 'The Flash' Still Carry the Show
There’s a reason Seasons 1 and 2 still dominate recommendation lists. The writing was tighter, the villains were clearer, and the show hadn’t yet buckled under the weight of its own mythology. Reverse-Flash (Teddy Sears) remains one of the Arrowverse’s strongest antagonists — personal, patient, and cruel in a way that felt earned. Zoom raised the stakes without losing focus. Even the supporting cast felt purposeful, with characters like Cisco (Carlos Valdes), Iris (Candice Patton), and Harrison Wells (Tom Cavanagh) adding texture rather than clutter.
Those seasons also nailed pacing. Episodes moved. Arcs paid off. The show trusted viewers to follow big swings without endlessly explaining itself. That confidence is a big reason The Flash still works as a binge today. However, the show didn’t stay that clean forever. By Season 4, The Flash hit the wall that most long-running CW dramas eventually meet.
Some bits tried to course-correct by leaning harder into comedy. Others doubled down on convoluted mythology. The balance that once came naturally — humor, heart, and momentum — became harder to maintain. The show was never unwatchable, but it wasn’t always sharp, either. And yet, viewers didn’t abandon it en masse. Even during its weaker years, The Flash still delivered moments that reminded fans why they cared in the first place. That baseline goodwill carried the series further than many of its contemporaries.
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The End of One Barry Allen — and an Era
When The Flash concluded in 2023, it marked both the end of a series and the end of a period for The CW as a home for superheroes. The transition to unscripted television and purchased programming left Barry Allen as one of the last vestiges of a time characterized by crossovers, multiple universes, and bold artistic experimentation.
The finale itself was messy, sentimental, and overloaded — which, honestly, made it fitting. It brought back familiar faces, nodded to comic history, and closed on Barry doing what he’s always done: running forward, hopeful, and convinced the future could still be better.
Gustin later admitted it wasn’t the exact sendoff he imagined. Still, that final image of Barry running through Central City landed. After nine seasons, that felt earned.
Why People Are Still Watching 'The Flash'
Image via The CWThe streaming numbers make sense when you look at what The Flash offers that newer superhero shows often don’t. It’s earnest. It’s emotionally direct. And it’s rarely cynical.
For longtime fans, it is a comforting rewatch, reminding them of a time when superhero TV was fun, not tiring. For new viewers, it is a surprisingly accessible first experience compared to darker or more serious genre television.
Although The Flash wasn't flawless and often didn't reach its full potential, it did maintain, at its heart, an optimistic view of the world, belief in chosen family, and the idea that doing the right thing is important — even if you screw up.
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Image via Diyah Pera / ©The CW Network / courtesy Everett Collection







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